Sunday, November 8, 2015
Friday, November 6, 2015
LAWATAN MRS TASNEEM CHOPRA, AUSTRALIAN ISLAMIC MUSEUM SENIOR CURATOR TO MUSEUM OF ASIAN ART , UM
Lawatan Senior Kurator, Australian Islamic Museum, Mrs Tasneem Chopra ke Museum Seni Asia dan Galeri Seni UM, memberikan beberapa input kepada pihak kami. Isu-isu yang ditangani di Australia, seperti Islamphoia cuba ditangani melalui pendekatan permuziuman yang bijak. Begitu juga imej wanita dan wanita Islam yang tidak diperjelaskan secara serius.
Walaupun isu di negara ini berbeza dengan Australia, terutama berkaitan Islam, namun ada beberap area yang perlu ditambah baik untuk memastikan tiada salah faham yang boleh membuka jurang kedamaian di negara ini. Sebetulnya, isu perkauman, kegamaan, perlecehan gender dalam negara ini, sentiasa wujud, hanya - bagaimana kerajaan dan orang ramai dapat mengurangkan jurang tersebut, meredamnya dan menjadikannya sebagai keunikan negara ini yang boleh diterima pakai di berbagai aras.
Lalu, bagaimana peranan muzium? Apa langkah konkrit yang ingin kita cadangkan agar sumbangan - menyedarkan masyarakat benar-benar dapat dihayati.
Walaupun isu di negara ini berbeza dengan Australia, terutama berkaitan Islam, namun ada beberap area yang perlu ditambah baik untuk memastikan tiada salah faham yang boleh membuka jurang kedamaian di negara ini. Sebetulnya, isu perkauman, kegamaan, perlecehan gender dalam negara ini, sentiasa wujud, hanya - bagaimana kerajaan dan orang ramai dapat mengurangkan jurang tersebut, meredamnya dan menjadikannya sebagai keunikan negara ini yang boleh diterima pakai di berbagai aras.
Lalu, bagaimana peranan muzium? Apa langkah konkrit yang ingin kita cadangkan agar sumbangan - menyedarkan masyarakat benar-benar dapat dihayati.
FESTIVAL GAMBUS SERANTAU 2015
Festival anjuran Jabatan Muzium Malaysia, membina semula warisan yang tidak diberi perhatian yang serius oleh banyak pihak. Jabatan Muzium mengambil inisiatif untuk memperkenalkan semula kerana memikirkan warisan ini sudahpun hampir pupus ditelah zaman. Tanpa pemuliharaannya, maka akan hilanglah sebuah kebudayaan tinggi yang berharga.
Selain daripada terancam pupus, seni gambus diberi perhatian semula oleh Jabatan Muzium ekoran daripada beberapa faktor yang lain seperti telah wujudnya sumber-sumber rujukan yang semakin mantap terhadap seni gambus, pemuliharaan tradisi cross cultural dan sumbangan Penyelidikan Pensahihah Fakta Sejarah Negara yang mula ditelusuri oleh sekumpulan penyelidik dari UM, UPSI, UKM, UNIMAS dan Persatuan Masyarakat Melayu Brunei Sabah sejak 2008-1011.
Sejumlah dapatan baharu, membawa kepada kesedaran kepada pengurusan yang peri wujudnya satu tradisi yang perlu dilestarikan.
Selain daripada terancam pupus, seni gambus diberi perhatian semula oleh Jabatan Muzium ekoran daripada beberapa faktor yang lain seperti telah wujudnya sumber-sumber rujukan yang semakin mantap terhadap seni gambus, pemuliharaan tradisi cross cultural dan sumbangan Penyelidikan Pensahihah Fakta Sejarah Negara yang mula ditelusuri oleh sekumpulan penyelidik dari UM, UPSI, UKM, UNIMAS dan Persatuan Masyarakat Melayu Brunei Sabah sejak 2008-1011.
Sejumlah dapatan baharu, membawa kepada kesedaran kepada pengurusan yang peri wujudnya satu tradisi yang perlu dilestarikan.
Wednesday, November 4, 2015
BATIK PAINTING BY YAZMIN HASSAN: WAYANG SERIES
Here some batik paintings by Yazmin Hassan, a young artist, associate with Museum of Asian Art, University Malaya. He joint the museum since early October 2015, with his aim being an batik artist.
He work under the patronage of Sam Karuna, former University Malaya resident artist from 2012-2015. Mr Sam very keen on his batik technique, called dyetik. Now, this skill being passed to Mr Yazmin.
In this series, of course in limited edition, he created a special series in conjunction with Wayang Kulit Exhibition @ NCKU Museum, Taiwan.
He work under the patronage of Sam Karuna, former University Malaya resident artist from 2012-2015. Mr Sam very keen on his batik technique, called dyetik. Now, this skill being passed to Mr Yazmin.
In this series, of course in limited edition, he created a special series in conjunction with Wayang Kulit Exhibition @ NCKU Museum, Taiwan.
Tuesday, November 3, 2015
FACES OF RUSSIA: AN EXHIBITION OF MARIA POLENOVA (1816-1895)
Maria A. Polenov (1816-1895)
Maria A. Polenov (nee
Voeikov) talented artist, portraitist, the mother of great Russian painters Vasily
Polenov and Helena.
L.O.Pasternak wrote: "As soon as ever to visit the hospitable home of Polenov in Krivokolennyi alley, and in addition to the overall atmosphere and style of the environment, created with the help of a friend and his wife Natalia V., at least once to see his mother, who was sitting at needlework and always took an active part in the lively discussions for afternoon tea after our evenings of drawing to accurately imagine the spirit and direction of what was supposed to give this medium works of Polenov. Maybe I'm wrong, but it seems to me that this noble, yet cheerful old lady in gray hair, parted in the middle, with black tulle hairpin, always nice dressed with dignity, should be attributed to the category of the best Russian nobility, which from among its gave of Decembrists and its environment is in their best representatives continually for centuries gave people without fearing any scaffold, or a reference to hard labor, who gave up his power and his life to the service of the Russian people, who longed to this day of liberation of the people from slavery and familiarizing it to European culture. "
L.O.Pasternak wrote: "As soon as ever to visit the hospitable home of Polenov in Krivokolennyi alley, and in addition to the overall atmosphere and style of the environment, created with the help of a friend and his wife Natalia V., at least once to see his mother, who was sitting at needlework and always took an active part in the lively discussions for afternoon tea after our evenings of drawing to accurately imagine the spirit and direction of what was supposed to give this medium works of Polenov. Maybe I'm wrong, but it seems to me that this noble, yet cheerful old lady in gray hair, parted in the middle, with black tulle hairpin, always nice dressed with dignity, should be attributed to the category of the best Russian nobility, which from among its gave of Decembrists and its environment is in their best representatives continually for centuries gave people without fearing any scaffold, or a reference to hard labor, who gave up his power and his life to the service of the Russian people, who longed to this day of liberation of the people from slavery and familiarizing it to European culture. "
Future artist received an excellent classical education at home. Her mother Vera Voeikov (nee. Lviv), orphaned early, was brought up in a family of her aunt D.A.Dyakovoy – Gr. Derzhavin second wife. Knowledge of history, literature and art, and foreign languages, received in Derzhavin house, she passed already their children. Vera strongly supported precocious daughter interest in art. Mary spent his childhood in Olshanka, his father's estate in the Tambov Province. The surrounding nature and talent gave rise to further creativity. After the death of his father Alexei Vasilievich Voeikov, hero of the Patriotic War of 1812, the family moved to St. Petersburg. The desire to learn how to draw and write professionally oil is not gone, but receive special education at the Academy of Arts was not possible because women there just did not take. She took lessons from academic painting K.A.Moldavskogo. Through her husband D.V.Polenova. Maria A. was familiar with K.Bryullov, F. Bruni and other famous artists. With a natural talent, hard work, a great interest in art, Maria A. was able to achieve professional excellence. Her work has met all the requirements of the Academy to the figure in the nineteenth century.
Another K.Bryullov considered necessary
drawing school, encouraging students to daily training.
He wrote, "must be able to draw
before becoming an artist. The mechanism should be developed at an early age to the
artist, began to think and feel,
conveyed his thoughts without any difficulty.
"Figures Mary Alekseevny Polenova, concentrated
in itself all the characteristic
features of the Russian academic school
of drawing, at the same time not
lose their individuality Expressive
taken from the people, the
complete spiritual perfection, purity and grace. Texture of fabric, color, drape and body artist
transmits only the tone and it is perfectly possible. The exhibition features portraits taken with costumed
models. Her works were a good school for
my son, daughter and younger generations
of their fellow artists and were a shining
example of how to relate to the
drawing. Sure, she had a great influence on the choice of life of their children. My mother taught them
correctly pencil in hand to hold and operate oil.
V.D.Polenov wrote that from his mother he inherited a love of art, but he inherited
her talent, this will tell posterity ... At Maria
Alekseevny have interesting oil paintings, she has written, illustrated book for children "Summer in Tsarskoye Selo" which was reprinted several times, the
last edition was illustrated by a young generation of artists. People to treat the artist with great respect.
Figures Mary Alekseevny Polenova made in the nineteenth century, of course, of great interest to professionals and art lovers in the XXI century.
Figures Mary Alekseevny Polenova made in the nineteenth century, of course, of great interest to professionals and art lovers in the XXI century.
MESYUARAT PEMASARAN PERSATUAN MUZIUM MALAYSIA


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Lawatan ke Kampung Budaya di Santubong |
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Drs Kamarudin, dari Yayasan Warisan Johor |
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Dato Hj Khamis (Perzim) dan Dr Zulkurnian Hassan (MGTF USM) |
Banyak info baru yang telah dikongsikan termasuk :-
1. 2016 akan dimulakan program 1 Murid 1 Muzium, Sejauh mana muzium bersedia dengan keadaan yang baru? (Dato Hj Khamis & JMM)
2. Penggunaan peralatan digital, touch screen dan sebaginya, perlu memikirkan juga tentang kos penyelenggaraan, kemampuan pembekal menyediakan after sales service dan sebagainya. (Wakil dari Sasana Kijang, Muzium Bank Negara)
3. Dalam keghairahan melantik konsultan pembinaan muzium, adalah dinasihatkan berhati-hati kerana, kitalah orang yang dipertanggung jawabkan nanti apabila projek tidak berjalan lancar. (Wakil dari Muzium Bank Negara)
4. Pemasaran melalui kerjasama pihak Jabatan Pendidikan Negeri - muzium perlu agresif dalam mendapatkan "pengiktirafan" sehingga dimasukkan ke dalam daftar "lokasi layak dilawati". (USM, Zokurnian Hassan).
5. Hari Muzium Antarabangsa 2016, akan disambut di Kedah. (En Suhaidi).
6. Muzium Seni Asia, UM - mendapatkan kerjasama dan penajaan daripada kedutaan-kedutaan di Kuala Lumpur. yang berjaya diadakan ialah dengan New Zealand, Canada, India, Mongolia, Venezuela, Peru dan Russia.
7. Update berkaitan aktiviti permuziuman boleh dimaklumkan kepada J/K Pemasaran Muzium, Persatuan Muzium Malaysia yang dipengerusikan oleh PERZIM. Tiada email tertentu yang dimaklumkan untuk update aktiviti permuziuman ini.
8. Muzium Angkatan tentera Darat, antara tumpuan pelancong di Negeri Sembilan. Pelbagai aktiviti sedang dirancang untuk merancakkan lagi jumlah lawatan di muzium berkenaan.
9. Dimohon juga, ahli persatuan muzium agar mewujudkan dan menghidupkan aktiviti sukarelawan muzium di muzium masing-masing.
Monday, November 2, 2015
RESIDENT ARTIST UNIVERSITY OF MALAYA: STEPHEN MENON
Here is about Mr Stephen Menon, University Malaya Resident Artist. He started joint the residency program since October 2012. During his tenure, some activities related to art much growing, more networking and exhibition has been done.
Artist statement
"The artist has created an
illusion, a separate 'reality', a personal vision that through transformation
into an art object may be shared with others. It is this compelling nature of
this communication that gives art its power."
-Harriet Wadeson, Art Psychotherapy
Born : Kuantan, Pahang. 1972
Education : Diploma In graphic Design,
Kuala Lumpur College of Art. 1993
Teaching : Short course ( Figure
Drawing) in College IKIP, Pahang. 2003
Award :
Incentive Award, Open Show Pahang. 2001
Incentive Award, Gallery Shah Alam 2006
Finalist Young Contemporary, National
Art Gallery, 2007
Finalist Malaysian Art Award, Penang
2007
1999
Open Show, Gallery Persatuan Seni Lukis @
Senireka Pahang
2000
Open Show, Gallery Persatuan Seni Lukis @
Senireka Pahang
2001
Asean Youth Camp Art Exhibition,Pahang
Japan @ Malaysia Modern Art
Exhibtion,Pahang
Open Show, Gallery Persatuan Seni Lukis @
Senireka Pahang
Rakamrasa Inderapura Group Show, Hotel
Istana, KL
2002
Pameran Lukisan Sempena Pertemuan Pelukis2
Semalaysia
Kembara Warna,Group Show, Hotel MS
Garden,Pahang
2003
Ketikakitari (2man Show), Sutra Gallery,KL
Little India, Group Show, Sutra Gallery,KL
Indentity, Group Show , Hotel Hytta,Pahang
Navarasa, Group Show, Hotel Crown
Princes,KL
2004
Nostalgia Pekan, Muzium Tokoh Pahang
2005
Citra, Muzium Terengganu
Seiring Sejalan, Group Show, College IKIP,
Pahang
2006
Harmony, Group Show, Hotel MS Garden,
Pahang
Open Show Gallery Shah Alam
2007
Open Show Gallery Shah Alam
Bakat Muda Sezaman, Balai Senilukis Negara
12 Malaysian Artist, Group Show, Gallery
Artseni, KL
Malaysian Art Award, Penang
Lakarasa Inderapura, Balai Senilukis Negara
2008
Pandang tak Jemu, Group Show, Artcase
gallery, KL
Semesta, Group Show, La Gallaria, London
2009
2d to3d, Group Show, Pelitahati Gallery, KL
3d Sculpture, Group Show, Pelitahati
Gallery, KL
2010
Take Line For a Walk, Group Show, Metro
Fine Art Gallery
Garis, Group Show, Metro Fine Art gallery
Winds of Desire, Group Show, Annext
gallery, KL
Me @ Mao, Solo Show, Metro Fine Art
Gallery, KL
Asean Art Show (orient) , Tokyo, Japan
Anniversary Show, Pace Gallery, KL
18@18, Weiling Gallery
Face, Group Show , Metro Fine Art Gallery,
KL
Beautiful People, Group Show, Core Gallery,
KL
2011
Sacred Structures : Artistic Renditions of
Hindu Temples, Penang State Gallery
Pulp Fiction: Going Across The Grain,
Chandan Gallery, KL
Genesis, G13 Gallery, KL
Jaga, National Art Gallery, KL
Manifesto Merdeka, National Art Gallery, KL
Proud to be Nude, Moma Gallery, KL
Obsessive Art Disorder, Core Design
Gallery, KL
Painting & Sculpture. Pace Gallery, KL
Figure in Paint, Petronas Gallery, KL
Spice, Pace Gallery, KL
Prayers, NN Gallery, KL
Bapak, Moma Gallery, KL
Dialogue, G13 Gallery, KL
Art Expo, Mattrade, KL
P Ramlee : The Unmasking of the Legend (SOLO), Moma Gallery, KL
2012
Wawasan 2020, Valentine Willie Gallery,
Singapore
Bridging Culture, Rosella Gallery,
Singapore
Dialogue ll, Gaya Gallery, Bali
The Quest, ICC (Indian Culture Centre)
Lineage, Art Accent, KL
At First Glance, Interpr8 Art Space, KL
Open Show, G13 Gallery
12.12.12 : Religion and Mythology, (Solo)
Town House Gallery, KL
2013
Pahang Experience, Pahang Contemporary Art
Museum, Pahang
M50, National Art Gallery, KL
Wajah-Wajah Terkini, Morne Gallery, KL
Kaki Seni Fest 2013, Interpr8 Art Space,
Pavilion, KL
Transit A4, HOM Gallery, KL
WWF : Art for Nature 2013, Kl Lifestyle Art
Gallery, KL
2014
Alter Ego, Group Show, Chandan Gallery, KL
Big Picture, Group Show, Museum of Asian
Art, University Malaya, KL
The Abduction of Sita by Rawana (Wayang
Kulit), Musuem of Asian Art, University Malaya, KL
Charity 2014, National Cancer Society
Malaysia, KL
Malaysian Art Friends 2, National Art
Gallery. KL
Seeking MH370, Museum Of Asian Art,
University Malaya, KL
START Art Fair, Saatchi Gallery. London
Recent Work, Interpr8 Gallery, KL
KL International Jazz & Arts Festival,
University Malaya, KL
Affortable Art Fair, Singapore
Configuration, Gallery G13
TUNKU:57@57. (Solo)Memorial pengisytiharan Kemerdekaan,
Melaka
Sacred Structures :10 Years of Temples,
Museum of Asian Art, University Malaya,KL
2015
Art Charity Fundraiser: #ArtManekUrai, Chandan
Gallery, KL
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Stephen Menon terlibat secara langsung dalam men-design bahan-bahan pemasaran untuk pameran retro Syed Thajudin di Pulau Pinang (2 November 2015- 31 December 2015 di Penang State Gallery. . |
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